THE SURREALIST BUNGALOW
WILLIAM COPLEY, MARCEL DUCHAMP, MAX ERNST, RENÉ MAGRITTE, MAN RAY
November 8 - December 19, 2014
Installation view
with (from left to right):
Max Ernst, Affiche pour Le Surrealisme, 1964
Max Ernst, Affiche pour Trésors du Surréalisme, 1968
Marcel Duchamp, Coeurs Volants/ Fluttering Hearts, 1936/61
René Magritte, L´Evidence éternelle, 1930/2003
Vitrine with various books
with (from left to right):
Max Ernst, Affiche pour Le Surrealisme, 1964
Max Ernst, Affiche pour Trésors du Surréalisme, 1968
Marcel Duchamp, Coeurs Volants/ Fluttering Hearts, 1936/61
René Magritte, L´Evidence éternelle, 1930/2003
Vitrine with various books
Installation view
with (from left to right):
René Magritte, L´Evidence éternelle, 1930/2003
René Magritte, Bicycle on leaf (sketch)
René Magritte, Face in the sky (sketch)
Man Ray, Obstruction, 1920 – 61
Man Ray, Selfportrait with camera, 1932/91; Juliet Ray, 1945/91; Palais de quatre heures, 1932/91; Marcel Duchamp, 1916/91
with (from left to right):
René Magritte, L´Evidence éternelle, 1930/2003
René Magritte, Bicycle on leaf (sketch)
René Magritte, Face in the sky (sketch)
Man Ray, Obstruction, 1920 – 61
Man Ray, Selfportrait with camera, 1932/91; Juliet Ray, 1945/91; Palais de quatre heures, 1932/91; Marcel Duchamp, 1916/91
Installation view
with (from left to right):
Man Ray, Obstruction, 1920 – 61
Man Ray, Selfportrait with camera, 1932/91; Juliet Ray, 1945/91; Palais de quatre heures, 1932/91; Marcel Duchamp, 1916/91
Man Ray, Le Tour, 1950/81
William Copley, Untitled, 1972
William Copley, Untitled, 1972
with (from left to right):
Man Ray, Obstruction, 1920 – 61
Man Ray, Selfportrait with camera, 1932/91; Juliet Ray, 1945/91; Palais de quatre heures, 1932/91; Marcel Duchamp, 1916/91
Man Ray, Le Tour, 1950/81
William Copley, Untitled, 1972
William Copley, Untitled, 1972
Photos : Anne Pöhlmann